Rescue dogs take to the runway to present Ralph Lauren’s Fall 2013 Accessories Collection.
Young Love #80 1970.
what a rainbow.
photo by Giampaolo Barbieri, 1981.
Christian Dior gown photographed by Willy Maywald, 1950.
photo by Paolo Roversi, styled by Edward Enninful, W Magazine, December 2011.
Disney’s Sleeping Beauty, 1959.
The word “icon” is bandied about much too freely today, but Diana Vreeland, fashion editor of Harper’s Bazaar, editor in chief of Vogue and curator of the Costume Institute of the Metropolitan Museum of Art, really was one. She fascinated everyone in the fashion world and many outside it. So it’s good news that her grandson Alexander Vreeland has gathered together a large group of the memos she wrote at Vogue in a new book, “Memos: The Vogue Years/1962-1971/Diana Vreeland” (Rizzoli New York), which he edited. Memos and letters were the way she communicated with her staff, and the book gives a unique set of insights into the way she worked. Alexander Vreeland makes the point that Harper’s Bazaar was the leading fashion magazine of its time, while Vogue was considered more of a society publication, but his grandmother changed that.photo by James Karales Diana Vreeland and Cecil Beaton look at a drawing, 1965.
Escalade by Autumn de Wilde. Part of the set of a Cadillac campaign for the new SUV.